Third Day of Advent

O is for Orange – good, eaten in reason,
P for Plum Pudding, the crown of the season.

From “Father Christmas’ ABC” illustrated by Alfred J. Johnson, published by F. Warne & Co., 1894

I love the bright, cheerful warmth of this illustration – I can almost smell the tangy scent of those oranges. Is the little dog startled? Or off on its own harum scarum adventure?

 

#victorianchildrensbooks #victorianchristmas #adventcalendar #victorianpicturebooks #advent #childrenspicturebooks #victorianillustration #victorianillustrators #alfredjjohnsonillustrator #christmaspudding

 

 

Second Day of Advent

Come to the window, little folks,
And read these tiny Story-books!

From ‘Snow-Flakes and the Stories they Told the Children’, by Matilda Betham-Edwards, illustrated by Hablot Knight Browne (Phiz), published ca. 1862

 

This is my personal favourite, it’s by Phiz, Dickens’ illustrator. I love his pictures full of charming, quirky detail. The elves in this are delightfully mischievous.

 

#victorianchildrensbooks #victorianchristmas #adventcalendar #victorianpicturebooks #advent #childrenspicturebooks #victorianillustration #victorianillustrators #christmas #matildabethamedwards #hablotknightbrowne #phiz #elves

First Day of Advent

And the games that we had, oh! they were so nice,
Such sleighing and skating and bowls on the ice!

From ‘The Twigs, or, Christmas at Ruddock Hall’, illustrated by Robert Dudley, published by Castell Brothers.

 

I thought it would be nice to create an Advent Calendar, by posting an illustration each day from Victorian children’s books from the Tower Project collection I worked on at Cambridge University Library. I hope you like them as much as I do.

 

#victorianchildrensbooks #victorianchristmas #adventcalendar #victorianpicturebooks #advent #childrenspicturebooks #victorianillustration #victorianillustrators #christmas #robins #robertdudleyillustrator

The Babes in the Wood

Contributor: Rosalind Esche

One of the most popular traditional stories reproduced in children’s books during the 19th century was  The Children in the Wood, also known as The Babes in the Wood, first published in Norwich as a broadside ballad by Thomas Millington in 1595 with the title The Norfolk gent his will and Testament and howe he Commytted the keepinge of his Children to his own brother whoe delte most wickedly with them and howe God plagued him for it.

What a sorry little tale this is. For those of you mercifully unfamiliar with it, it relies on that stock villain, the wicked uncle. The parents of two small children both die at the same time (somewhat irresponsibly, in my view) and on their joint deathbed consign their hapless offspring to the clutches of their uncle. To be fair on the chap, he looks after them for a while until he reads the terms of the parents’ will and discovers that he would benefit to the tune of several hundred pounds on the occasion of the children’s untimely deaths prior to attaining their legal majority.

This is when things really start to go downhill for the eponymous babes. The uncle hires two “sturdy ruffians” to take them into the woods and kill them. One of the villains relents on hearing the innocent, lisping prattle of the two babes, and refuses to carry out the murder; a quarrel ensues and the “milder” cut-throat kills the other, in front of the (presumably traumatised) babes.

He tells the children that he will bring them some food, and, convincing himself that a passing traveller will discover them, leaves them alone in the woods, never to return

The children wander through the woods, and eventually, weary and forlorn, they sit down beneath a big oak tree to rest.

 

As dusk falls they settle to sleep. Relief in the form of a passing traveller never arrives.The children starve to death. It’s as stark as that. You will be glad to hear that all kinds of disasters befall the wicked uncle and he dies in prison.

However, perhaps I do the purveyors of this sensationalist literature a disservice. I was interested to see that one of the many 19th century copies of this grim children’s tale is entitled The Children in the Wood, or, The Norfolk Tragedy.

Local folklore has it that the events told in the many versions of The Babes in the Wood originally happened in Wayland Wood, reputedly the third oldest wood in England, dating back to the Domesday Book, in which the Wayland Hundred is referred to as Wane-lond. Various theories have been advanced as to how the legend of the babes came to be associated with Wayland Wood, one being that there used to be a carved wooden overmantel in the nearby Elizabethan manor house Griston Hall, where the uncle is said to have lived, which depicted the story of the babes.

Apparently the tale of the babes in the wood has never been associated with any place other than Norfolk during its long folkloric career, so perhaps we have a real Elizabethan crime which morphed into legend. Inevitably local tradition has it that the ghosts of the murdered children haunt Wayland Wood, hence its popular name “Wailing Wood.” The village signs at both Griston and nearby Watton depict the story. When in 1879, the tree under which the babes had reputedly been abandoned was struck by lightning and destroyed, the popularity of the legend had grown to such an extent that people visited the site, hoping for souvenirs.

If it seems to stretch our credulity that two small children should be lost in a wood for so long that they starved, this arresting account by a local may bring home to us the desperate plight of the children:

Having known this wood all my life I can remember my father taking me to the keeper’s cottage when I was about seven and asking the keeper if he would show us the tree under which the babes were reputed to have been found, buried by a robin covering them with leaves. He escorted us far in­to the wood and stopping by the stump of a large tree, informed us that this was where they died, the tree having been destroyed by lightning in August 1879. As we made our way back to the road I realised how difficult this would have been without our guide, with so many overgrown paths criss­ crossing each other in all directions. At this time it was not unknown on shooting days for one of the beaters to get lost in the wood during the last “drive” of the day, with darkness falling fast. Occa­sionally it meant he had to wait until morning light to find his way out. This would not happen today, as one can hear the continuous roar of traffic passing along the road and head towards it. None the less 30 years ago, when “birding” in the wood with a naturalist friend, we came upon an elderly man whom I knew very well, but owing to his dishevelled appearance did not recognise at once. He had grown a beard, was painfully thin and obviously so weak he could hardly stand. Although he manag­ed a slight movement of his lips, no sound was forthcoming and we realised he was in a very serious condition. Informing the police, we were surprised to learn that he had been missing for three weeks and that they had spent many hours searching for him. As he lived alone, arrangements were made for him to be cared for in a Thetford home and when I saw him a month later he thanked me for saving his life. It appeared that he had strolled far into the wood one afternoon and was unable to find his way out again, but it was not certain if he had been there all the time.(http://www.historyofwatton.org.uk/wattonttages/053.htm)

So perhaps this unpleasant little tale has its origins in history rather than in some warped imagination. Nevertheless, the fact is that Victorians loved this kind of sensational, sentimental storytelling. The prevalence of this dismal tale as a staple of children’s picture books testifies to its assimilation into the popular imagination. Indeed, the expression “babes in the wood” survives to this day as shorthand for inexperienced innocents making their way (or not) in a wicked world.

It’s interesting to speculate on this “evil uncle hires two murderers to despatch troublesome children” story – how far back in the mists of time does its folk tale origin reach? It almost certainly pre-dates the Norfolk version, having its roots in inheritance struggles for money and power. Did the stock character of the wicked uncle just happen to be reinforced by a real crime in Norfolk some time in the 16th century? And for those of us troubled by a nagging sense of familiarity, could the existence of such an archetype lend credence to those Richard III advocates out there who claim him as a victim of Tudor propagandists? Could those canny Tudors have been tapping into folk imagination to besmirch the Plantagenet’s name? Just how far back do wicked uncles trace their heritage? But I digress …

Still, it’s not all bad news. Imagine my delight when I came across the following antidote to all this misery, with the stirring title:

Perfidy detected! or, The children in the wood restored, by Honestas, the hermit of the forest

with the following explanatory subtitle further down the title page:

who were supposed to have been either murdered or starved to death, by order of their inhuman uncle ; being the continuation of The history of the children in the wood.

The logistics of this reworking are a bit hazy; not only do the babes survive, but even the dead parents aren’t dead after all. No matter, someone else had obviously had enough of this wretched story and decided to set everything to rights again, even if it meant glossing over minor technicalities of logic and plot integrity.

Postscript

I had one of those satisfying connection moments, when I read that it was a robin who covered the children’s bodies with leaves – could it have been Cock Robin himself? Before he was brutally murdered, obviously, in that other cheery children’s tale so beloved of the Victorians.

 

Illustrations are from the following books held in Cambridge University Library, which may be requested to be consulted in the building.

The Story of the Babes in the Wood, illustrated by Frank Adams. Published London ; Glasgow ; Bombay : Blackie & Son Ltd., [1904?] – University Library classmark 1904.11.86

The Children in the Wood, or, The Norfolk Tragedy. Published  London : Printed for the Religious Tract Society, and sold at their Depository, [18–] – University Library classmark CCE.7.67.27

 

Lockdown Reading recommendations this spring

Here are some book recommendations extracted from our contributors’ responses to our lockdown reading questions – just click on the title to read what they said about the book:

 

The Enchanted April by Elizabeth Von Arnim

Call for the Dead by John le Carré

The Dutch House by Ann Patchett

The House of Mirth by Edith Wharton

For Esmé, with Love and Squalor by J.D. Salinger

 

Other Minds: the octopus and the evolution of intelligent life by Peter Godfrey-Smith

The Missing Lynx by Ross Barnet

Dr James Barry: a woman ahead of her time by Michael Du Preez and Jeremy Dronfield

 

Acts and Omissions by Catherine Fox

Red Plenty by Francis Spufford

Music to Eat Cake By Lev Parikian

Jews Don’t Count by David Baddiel

The Vinyl Detective by Andrew Cartmel

 

Bookworm by Lucy Mangan

Conclave by Robert Harris

Mansfield Park by Jane Austen

Persuasion by Jane Austen

The Thursday Murder Club by Richard Osman

 

Swan Song – Kelleigh Greenberg-Jephcott

The Salt Path – Raynor Winn

Mudlarking – Lara Maiklem

Girl, Woman, Other – Bernardine Evaristo

Let It GoDame Stephanie Shirley and Richard Askwith

 

 

I’ve been using novels as a good way of winding down at the end of the day

Contributor: Joe McIntyre

Have you read more or less during lockdown, or much the same as usual?

I’ve been reading more than usual.

Has lockdown affected your choice of reading material?

Yes.

Have you switched from your normal genre? eg started reading poetry, short stories, non fiction, drama?

No. Pretty much the same, but falling back on some old favourites to bring comfort.

Have you been using reading in a different way – for example for comfort, raising your spirits, escapism, distraction?

I’ve been using novels as a good way of winding down at the end of the day, reading a chapter or two each night before bed.

Have you been finding it harder to concentrate during lockdown?

Certainly for long periods during the day, when I can be easily diverted to other activities. My concentration improves at night, but is short lived because I am tired.

Have you started books and been unable to finish them?

No, but I have purchased several books and then lost interest before starting them.

Where do you get inspiration for titles?

Often from television or radio interviews with authors, occasionally from an “if you liked this, you will want to read this…” type recommendations on websites.

Where are you sourcing your books/audiobooks from?

Amazon, I am afraid.

Have you embarked on reading all the books you already own but have never read?

Yes.

Have you been listening to audiobooks rather than reading? If so, does listening add something to your experience of the book that you wouldn’t get by reading it yourself?

Yes, but I always have when doing things like cooking.

Have you been reading books about pandemics? eg The Plague by Albert Camus, Journal of the Plague Year by Daniel Defoe, Love in the Time of Cholera by Gabriel Garcia Marquez, The Roses of Eyam by Don Taylor etc?

No.

Can you recommend up to 5 books/audiobooks that you have enjoyed during lockdown?

Mrs Searwood’s Secret Weapon (Leonard Wibberley) – After escaping to the countryside after bomb-torn London, Mrs Searwood must contend not only with village life and the suspicions of the locals but also the unexpected arrival of her Indian spirit guide. A gentle romp with the stylings of an Ealing comedy.

A Christmas Cornucopia: The Hidden Stories Behind Our Yuletide Traditions (Mark Forsyth) – a fascinating debunking of much we accept about Christmas, revealing the truth about many of the traditions we take for granted.

The Space Cat series (Ruthven Todd) – a collection of four short children’s books, written in the middle of the Atomic Age, an alternate history of the race to the stars seen through the eyes of a thoughtful and intelligent feline narrator.

Period Piece (Gwen Raverat) – the reminiscences of Charles Darwin’s granddaughter, growing up in Cambridge at the end of the nineteenth century.

The Trigan Empire (various volumes, Don Lawrence et al) ongoing collection of the comic strip originally published in Look and Learn during the early sixties to the mid-eighties. Stunning artwork, digitally restored, chronicling the rise and fall of a great empire in a distant galaxy (with a nod or two to the myths surrounding the birth of the Roman Empire).

 

 

I discovered that I can enjoy reading more than one book at a time, which was something of a revelation.

Contributor: Pat Aske

Have you read more or less during lockdown, or much the same as usual?

More. When I was a working Librarian, I only found time to read at night but that has all changed.  I now have more time to read during the day.

Has lockdown affected your choice of reading material?

Definitely.  I discovered that I can enjoy reading more than one book at a time, which was something of a revelation.

Have you switched from your normal genre? eg started reading poetry, short stories, non fiction, drama?

Yes, I used to read mainly novels but now I read non-fiction (biographies or histories) during the day and read novels at night.

Have you been using reading in a different way – for example for comfort, raising your spirits, escapism, distraction?

Yes, reading during the day certainly helps pass the time profitably and is a good distraction.

Have you been finding it harder to concentrate during lockdown?

No, not until now when it seems lockdown is coming to an end and the future seems a bit uncertain.

Have you started books and been unable to finish them?

Well, I rarely do that, but I must confess to having abandoned Ulysses half-way through.  I have every intention of picking it up again, though.

Where do you get inspiration for titles? 

Reviews sometimes, word of mouth, but usually by browsing in Heffers.

Where are you sourcing your books/audiobooks from?

I have ordered some books online from Bookshop which supports independent booksellers and I have a small pile of presents waiting to be read.

Have you embarked on reading all the books you already own but have never read?

I did start doing that but there were too many tempting new books to read.

Have you been listening to audiobooks rather than reading? If so, does listening add something to your experience of the book that you wouldn’t get by reading it yourself?

I have not but I may do that in the future.  At the moment I listen to the radio as an alternative to reading but I will try audio books.

Have you been reading books about pandemics? eg The Plague by Albert Camus, Journal of the Plague Year by Daniel Defoe, Love in the Time of Cholera by Gabriel Garcia Marquez, The Roses of Eyam by Don Taylor etc?

I have not read any books about pandemics since Covid but before this crisis I had read The road by Cormac McCarthy which was harrowing and terrifying.  

Can you recommend up to 5 books/audiobooks that you have enjoyed during lockdown?

William Dalrymple: The Anarchy

Robert Hughes: Rome

Sebastian Barry: Days without End

Hilary Mantel: The Mirror and the Light

Absolute favourite- Philip Pullman: The Secret Commonwealth

I tend to eke out reading the works of dead authors: reading the last one and realising there won’t be any more is a dreadful feeling.

Contributor: Liam Sims
I’m a Librarian at Cambridge University Library, where I work with rare books and other special collections. I’m also working on a part-time PhD on eighteenth-century intellectual history.  

Has lockdown affected your choice of reading material?

Not especially. My reading has always been fairly broad. As a part-time PhD student much of my reading relates to my research. I’ve never read fiction in a big way, though I do have some favourite authors (including Iris Murdoch). I tend to eke out reading the works of dead authors: reading the last one and realising there won’t be any more is a dreadful feeling. When it comes to non-fiction for pleasure I’m especially keen on biography and autobiography, and general work of an historical persuasion. I’m also mad on Venice, an area in which I collect both antiquarian and modern books.

Have you switched from your normal genre? eg started reading poetry, short stories, non fiction, drama?

I have read a few things I wouldn’t normally have got around to. I made an effort to read Paradise Lost last summer and enjoyed it immensely. 

Have you been finding it harder to concentrate during lockdown?

I have certainly found it harder to concentrate. In addition to spending a lot of work time using screens, much of my free time is also spent reading and writing for my PhD. But after a day at work it is definitely harder now to motivate myself to focus on something in the evening.

Have you started books and been unable to finish them?

I have always been rather bad at giving up on books. If I’m reading a novel and can’t get my head around which character’s which, or who has connections to whom (either because my brain doesn’t work or because I put the book down for weeks) I have been known to give up.

Where are you sourcing your books/audiobooks from?

Audiobooks come from Audible. I buy a lot of second-hand books from booksellers through Abebooks, and look forward to physical shops reopening. Though I’m not there very often, shops like Topping’s in Ely are wonderful places for new books.

Have you been listening to audiobooks rather than reading? If so, does listening add something to your experience of the book that you wouldn’t get by reading it yourself?

I have been using audiobooks. In the pre-COVID times I primarily listened to these on long train journeys. But I have been listening more at home in the last year. I find it suits certain kinds of books – especially memoirs or biography – which are often read by the author, giving the reader a keener sense of engagement with them. I don’t find fiction works for me so well through audiobooks. I like to be able to turn back and check details, or to dwell on particularly interesting passages, which is more easily done with a physical book.

Can you recommend up to 5 books/audiobooks that you have enjoyed during lockdown?

Ronald Blythe’s Akenfield: portrait of an English village (1969). Recommended (and in fact given to me) by a friend last year, I became quickly immersed in this tale of Suffolk village life. Written in the format of a series of interviews with fictional village characters living in the equally fictional village of the title, it captures the period of change in the 1960s as younger people moved away to the towns and farming became ever more mechanized. As I read it I kept comparing it to a small village I stay at with friends in Somerset, and it gave a wonderful sense of escapism, with much humour along the way.

Nigel Slater’s Toast (2003). The story of Slater’s often troubled childhood, told through a series of very short chapters, each themed around a memory of food or cooking. I thought the format was extremely novel and made the book excellent for dipping in and out of on breaks at work.

Sandi Toksvig’s Between the stops (2019). Another interesting format, this is partly biographical and partly historical. The route of the number 12 bus from Dulwich to Broadcasting House is the framework for a series of fascinating facts (many of them about the untold lives of women in London’s history) and snippets of Toksvig’s life. Another good one for dipping in and out of.

James Delbourgo’s Collecting the world: Hans Sloane & the origins of the British Museum (2017). I came to this through my PhD research (Sloane was a member of the antiquarian society in Lincolnshire I work on, and knew many of the people who feature in my work. But it serves as an extremely interesting introduction to the extensive networks which enabled the collecting of books and objects on Sloane’s level and talks about some of the hidden figures (including women) who helped him.

Jennifer Worth: In the midst of life (2010). Worth (1935-2011) and her memoirs are known to many as the source for Call the Midwife. In this book she tackles the much-avoided topic of death, from her perspective as a nurse (and one closely connected with the growth of the palliative care movement) who worked through a period of immense change in medicine. She considers how the technological changes which have prolonged life have drastically changed our approach to death. Far from morbid, I found this a deeply thought-provoking book.

I am finding it much easier to concentrate on extremely trivial things, such as Fantasy Premier League

Contributor: Ben Esche

Have you read more or less during lockdown, or much the same as usual?

At first more, because of all the extra time freed up by not commuting. Then less once I discovered I could fill that time with work, or pointlessly scrolling through Twitter.

Has lockdown affected your choice of reading material?

I don’t think it has. I’m fairly oblivious to what’s actually going on around me most of the time anyway.

Have you switched from your normal genre? eg started reading poetry, short stories, non fiction, drama?

No change, apart from Twitter, if that’s a genre all its own?

Have you been using reading in a different way – for example for comfort, raising your spirits, escapism, distraction?

Not deliberately, although it does seem to be a way to return to a saner pace and get away from the distraction.

Have you been finding it harder to concentrate during lockdown?

Yes. Or rather, I am finding it much easier to concentrate on extremely trivial things, such as Fantasy Premier League. I could have read War and Peace last week in the time I spent trying to work out whether to bring in Harry Kane for Mohammed Salah.

Have you started books and been unable to finish them?

I’m going to finish them at some point. Probably?

Where do you get inspiration for titles?

Sometimes I buy books by people I hear interviewed on podcasts, or see reviewed in newspapers. I also find that having people with postgraduate degrees in literature for parents can be useful for this purpose. When we were briefly allowed to go shopping in the summer, I returned temporarily to my usual method of wandering aimlessly around a large bookshop until I have accumulated what seems like enough bound paper.

Where are you sourcing your books/audiobooks from?

Usually I look them up on Amazon, then get a terrible attack of guilt and pay £5 more to get exactly the same book 3 days later from a smaller faceless company.

Have you embarked on reading all the books you already own but have never read?

Nope!

Have you been listening to audiobooks rather than reading? If so, does listening add something to your experience of the book that you wouldn’t get by reading it yourself?

I haven’t. I spend quite a lot of time listening to podcasts now, but not whole audiobooks. One of them is a podcast where people talk about books I haven’t read. Does that count?

Have you been reading books about pandemics? eg The Plague by Albert Camus, Journal of the Plague Year by Daniel Defoe, Love in the Time of Cholera by Gabriel Garcia Marquez, The Roses of Eyam by Don Taylor etc?

The Camus title did come up on an episode of the aforementioned podcast. I expect that’ll be the next book I read by an existentialist-absurdist philosopher… The book I actually did read that most closely fits this question is The Precipice by Toby Ord, which is about all the existential (in another sense) risks faced by humanity. Pandemics made the list, although Toby thinks human-engineered ones are much more likely to bring about the end times than natural ones.

Can you recommend up to 5 books/audiobooks that you have enjoyed during lockdown?

A Bit of a Stretch by Chris Atkins, which is a good way to enjoy yourself while finding out that the UK prison system is actually even more inhumane and catastrophically mismanaged than you might have suspected.

The Precipice by Toby Ord (see above)

Against Elections by David van Reybrouck, on why elections are anti-democratic. 

The Tyranny of Merit by Michael Sandel, on why meritocracy is a bad idea. 

Ulysses by James Joyce (only kidding!)